Writing
Notes on revising by ear. Craft first, tool second.
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Why your eyes lie about your own prose
You do not read your manuscript. You remember it. What that costs you, and why the ear does not make the same mistake.
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How to run a listening pass
A practical method: what to listen for, what to ignore, and why marking is better than stopping.
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Dictation that does not sound dictated
Spoken prose has tells. Here is how to lose them, and which ones to keep.